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- I suppose the first impression was that I had entered a museum or waxwork gallery. They were motionless figures who were transfixed in strange postures — sometimes rather dramatic postures, sometimes not — with an absolute absence of motion, without any hint of motion. So everything looked frozen, and then, very suddenly, sometimes one of these patients would be released from this state and would speak and move, then you could see what a vivid, alive, real person was there, imprisoned in a sort of way by some strange physiological change.